【Babygirl (2024)】

As we absorb the shocking news that the Han Solo spinoff has just lost directors Phil Lord and Babygirl (2024)Chris Miller, some obvious questions have started to come up.

Namely: Just what in the hell happened? And what happens now?

SEE ALSO: The Han Solo movie now flying solo without directors

The official reason cited by both parties (Lucasfilm and Lord & Miller) was "creative differences" – everyone's favorite vague excuse after "scheduling conflicts."

But parting ways in development or pre-production is one thing. That happens all the time. It's practically unheard of for such a dramatic exit to occur five months into shooting, with only weeks to go. As my colleague Chris Taylor put it, "whatever 'creative differences' Lord and Miller had with Lucasfilm must have been the size of Starkiller base."

While neither side is saying more on the record right now, the entertainment press has started picking up reports of a production that was troubled from the get-go. It's worth keeping in mind that most of these reports are sourced from anonymous insiders – but also that they seem to be someone's side of the story, even if they don't paint a complete picture.

Original image has been replaced. Credit: Mashable

What went wrong with Han Solo?

Basically, it sounds like things were off from the get-go. Lord and Miller could not get on the same page with the people running Star Wars– specifically, producer Kathleen Kennedy (who's also president of Lucasfilm) and co-writer / executive producer Lawrence Kasdan (whose relationship with Star Warsdates back to The Empire Strikes Back).

According to Variety, Lord and Miller "balked" at Kennedy's tight control over the set, and "clashed" with Kasdan. Meanwhile, Kennedy didn't like their shooting style, or the way they were handling their cast and crew.

The Hollywood Reporteradds that Kasdan, who co-wrote the script with his son Joe Kasdan, did not approve of Lord and Miller's looser, more comedic, more improvisational approach. Tone was a big part of that divide, reports Mike Sampson:

KK was unhappy with the direction of the film (and, as reported in Variety, in general with L&M); felt it wasn't Star Wars-y enough.

— Mike Sampson (@mjsamps) June 21, 2017

A THRsource claimed the two sides couldn't even agree on what kind of character Han Solo was. "People need to understand that Han Solo is not a comedic personality. He’s sarcastic and selfish," they said. (You can probably guess which side this person falls on.)

Varietyand THRboth say Lord and Miller were fired, while Sampson tells a more complicated story:

Things came to a head when she insisted L&M collaborate with new creative talent for reshoots/edit. This should sound familiar to RO fans

— Mike Sampson (@mjsamps) June 21, 2017

Whereas Gareth played ball, L&M balked and told KK "no way." They stuck to their guns, and that was the proverbial straw on camel's back.

— Mike Sampson (@mjsamps) June 21, 2017

The "RO" that Sampson is referring to is Rogue One: A Star Wars Story. In that instance, Lucasfilm reportedly took the film away from director Gareth Edwards and brought in Tony Gilroy to significantly rework the film (including overseeing reshoots).

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Original image has been replaced. Credit: Mashable

What happens to Han Solo now?

In their statement announcing Lord and Miller's exit, Lucasfilm insisted that the Han Solo movie would not budge from its planned May 25, 2018 release date. That means the studio will have to move fast to get the film back on track.

To that end, THRreports, Lucasfilm already has its eye on a replacement although it isn't ready to name names yet. Ron Howard is rumored to be in the mix, as is Joe Johnston (Captain America: The First Avenger). Also being floated as a possibility is Kasdan himself, whose directing credits include The Big Chilland Silverado. One person notin contention? Gilroy, whose spokesperson has denied his involvement.

Already, that list of rumored names is telling. Lord and Miller are known for their upbeat, irreverent films, as previously seen in smashes like The Lego Movieand 21 Jump Street. Howard and Johnston, whatever their other strengths and weaknesses, are nothing like that. Their films tend to feel more serious and reined-in.

Worth noting here, too, is that directing the Han Solo spinoff could end up being kind of a thankless job. Not only will that filmmaker have to hit the ground running with someone else's footage, they could wind up in a situation where they shoulder the blame for anything that goes wrong, while fans praise Lord and Miller for anything that goes right.

In any case, once Lucasfilm locks down a new director, that person will spend the next several weeks reviewing and re-editing Lord and Miller's work so far. Production is expected to shut down for several weeks while the filmmakers regroup. Varietyoffers that "several" additional weeks of reshoots have been scheduled for later this summer, to accommodate whatever changes need to be made.

Still unclear is whether Lord and Miller will be credited on the movie. There are all sorts of guild rules and legalities that determine who gets credited and how, and the Han Solo situation is irregular, to say the least. In any case, a new director announcement is expected to arrive shortly.

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What does this mean for Star Wars as a whole?

At this point, all we Star Warsfans can do is wait and hope for the best. Maybe Lucasfilm will pull it off and give us the Han Solo film they wanted and that we didn't know we wanted. Or maybe they won't. Maybe it'll be a disaster. Whatever happens, though, a lot of the damage is already done. This is a bad look for Lucasfilm.

Since Disney acquired Lucasfilm, they've already fired one director off of a Star Warsproject (Fantastic Fourdirector Josh Trank), and had to wrest creative control from another (the aforementioned Edwards). It's hard not to wonder just what is going on over there that Star Warsdirectors seem as likely to be fired or sidelined as they do to actually complete the projects they set out to make.

It also raises the question of what, exactly, Lucasfilm wants out of its spinoffs. When the A Star Wars Storymovies were first announced, they seemed like an opportunity for the franchise to go a little wild, indulging in one-off tales or experimenting with different styles or tones. And Rogue Oneseemed like a promising execution of that idea: it was a gritty war drama featuring unfamiliar characters that nevertheless felt like it was part of the Star Warsuniverse.

Original image has been replaced. Credit: Mashable

With Lord and Miller at the helm, the Han Solo spinoff looked like it could carry on that torch by bringing a lighter, funnier sensibility to the Star Warsgalaxy. Now Lucasfilm's clamping down suggests that they want even the A Star Wars Storyfilms to feel more in line with the tone and vibe of the other movies.

And while that sucks for the version of the Han Solo movie that Lord and Miller wanted to make, it makes perfect sense for the franchise as a whole. Because, put simply, what makes a franchise great and what makes a movie great are two different things.

As I've written before, franchises work best when they're consistent and cohesive, and that means a certain level of sameness is built into the model. The films don't all have to be alike, but they have to be alike enoughso that they feel like they all fit together, and so that audiences know generally what to expect.

Individual films, though, thrive on singular visions. The best ones surprise us with how bold or ambitious or different they are, how unlike anything we've ever seen before. It's certainly possible to make a goodmovie while shackled to a bigger franchise's overruling creative vision, but it's a heck of a lot harder to make a greatone.

Maybe Star Warswill thread that needle someday. Lord knows this franchise has broken molds and shattered expectations before. But as of right now, it's looking less and less like the Han Solo spinoff will be the installment to do so.

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Topics Star Wars